Use a Hue-Saturation-Luminance (HSL)/Hue-Saturation-Value (HSV) tool to fine tune your color and remove color casts from mismatched lighting sources.I usually use about two to three stops negative flash exposure compensation in E-TTL flash mode which is often less than the minimum manual power setting. Throw a little fill on the scene If your position allows the use of flash without blowing out nearer things in the foreground, use some low powered flash to balance the scene out a bit and fill the harsh shadows.Pushed 0.17 stops in post, contrast -1, shadows -1, highlights -2. The light to camera left (pictured above) is what makes this shot and the next work. You can always shoot up and down the route to capture the sense of the line snaking its way through the city and then shooting more directly in front of your position to get the tighter shots. There's no substitute for being close enough to the action to fill the frame with your subjects in a parade. Get in as close as you can It may mean getting to the location several hours before the event to stake out your spot, but it will be worth the effort.(And yeah, media credentials are nice for the access they can get you!) This frame, while not really much of a keeper, shows the extra lighting in front of the revue stand that was to camera left in several of the examples that follow. If there is a reviewing stand for judges or VIPs it will often have some portable lighting set up to help the judges see better and to help media crews covering the event. If you can, find a spot that is one of the better lit locations along the route. Strategically select your shooting location based on lighting Most parade routes have widely varying ambient lighting conditions from one spot to the next.Pushed 0.67 stops in post, contrast -2, shadows +1, highlights 0. Newer full frame cameras are usually pretty good up to ISO 6400. Most cameras can handle ISO 1600 and ISO 3200 very well in such scenes. Don't be afraid of high ISO settings, either. With so many different light sources at so many different intensities as well as areas that are very dark using automatic metering will be all over the place. In your two examples there was a full stop difference between what is essentially the same scene. You'll probably need to let the bright overhead streetlights and vehicle headlights blow out a little, but you want to avoid fully saturating the decorative lights on the floats in order to preserve their colors. Use manual exposure Base your exposure value strictly on the histogram and the highlight warnings (if available) on your LCD revue screen.Other than the decorative lights, the primary light source was sodium vapor streetlights high overhead. Additional HSL adjustments (developed using Canon's Digital Photo Professional). Color temperature 3000k, WB correction Blue/Amber B8, Magenta/Green M5. Having raw files and all of the information captured by the sensor in post-processing also allows you the freedom to adjust the white balance and fine tune the Blue-Amber and Magenta-Green axes non-destructively. Whether using the contrast/highlight/shadows sliders, gamma correction, or directly shaping the luminance response curves you'll have much more flexibility to push and pull the various elements of the image to make them look the way you want. The highlights, to a degree, can be recovered. Shoot raw You need the extra dynamic range which you can squeeze into the more restrictive jpeg format in post processing.Here some information: ISO 1600, f#1.4, 1/250, Auto WB, Spot light metering. ISO 800, f#1.4, 1/60, Auto WB, Centered light metering. The orange one the vehicle was not orange in reality. Maybe night photography is not suitable for me as a beginner, but I am still interested how an experienced photographer views this world. What trade off would I have to make (especially in regard to White Balance and ISO because that is what I am learning now). I upload two of my pictures (the best I believe I could make) and would like to hear what could I do better. When I shoot at night, I had different light sources (street lamps, decorations, panel lights and the vehicles with lights) and I was wondering how would one go about such a situation. I tried to gain some practice with what I had learned so far, but could not properly find a solution to my scenes. I tried to shoot some photos the evening of the 5th of January (CET time), it was an event called Cabalgata de Reyes Magos.
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